Keith Miller
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EDUCATION |
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MFA, concentration on painting. Stony Brook University; Stony Brook, NY |
2001 |
Full tuition scholarship |
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Graduate Certificate in
Art and Philosophy. Stony Brook University; |
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Stony Brook, NY |
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BFA. State University of New York (SUNY), College at Purchase; Purchase, NY |
1988
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FELLOWSHIPS, AWARDS, GRANTS, RESIDENCIES |
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The BAU Institute Residency Award at The Camargo Foundation in Cassis France |
2018
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Guggenheim Fellowship. John Simon Guggenheim Memorial Foundation |
2015 |
Jerome Foundation Film
Grant for ABOUT A MOUNTAIN (Producer) |
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Award for Excellence in Teaching. Gallatin School, NYU |
2015 |
Cinereach Production
Grant for ABOUT A MOUNTAIN (Producer) |
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Best Editing for a
Narrative Feature. Tribeca Film Festival for FIVE STAR |
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Cinereach Development Grant for ABOUT A MOUNTAIN (Producer) |
2013 |
Rooftop Films Equipment Grant for FIVE STAR |
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Jerome Foundation Film Grant for FIVE STAR |
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Grand Jury Prize. Slamdance Film Festival for WELCOME TO PINE HILL |
2012 |
Grand Jury Prize.
Atlanta Film Festival for WELCOME TO PINE HILL |
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Special Jury Prize for
Performance. Sarasota Film Festival for WELCOME TO PINE HILL
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Special Jury Prize:
Honorable Mention. Nashville Film Festival for WELCOME TO PINE HILL |
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FIPRESCI Prize for New
American Film. Seattle International Film Festival for WELCOME TO PINE HILL |
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IFP Narrative Lab Fellow
for WELCOME TO PINE HILL
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2011 |
Artist-in-Residence.
Elizabeth Harvey Foundation, Venice, Italy |
2008 |
Artist-in-Residence.
Anderson Arts Center, Red Wing, MN
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2004 |
Artist-in-Residence. St.
MichaelÕs College, Colchester, VT
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2003 |
Artist-in-Residence. New York Mills Regional Culture Center, New York Mills, MN |
2001 |
Artist-in-Residence.
I-Park, East Haddam, CT
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Full tuition
scholarship. Stony Brook University
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1998 |
FILMS (selected)
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Narrative Feature Films |
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FIVE
STAR. Writer, Director, Editor |
2014 |
Distributed
by Xlrator, Sundance International |
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WELCOME
TO PINE HILL. Writer, Director, Editor |
2012 |
Distributed
by Oscilloscope Laboratories, Sundance International |
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ABOUT
A MOUNTAIN. [In production] Producer |
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THE
TRANSLATOR. Writer, Director[In development] |
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Short Films |
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PRINCE/WILLIAM.
Writer, Director, Editor. |
2010 |
CAPSULE
ENDOSCOPY. Director, Editor. |
2011 |
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Documentary |
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WORKING HANDS. Director, Editor, Cinematographer.
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2018
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HOW
TO SEE THE WORLD. [In Production] Director.
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2016-Present
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In
Collaboration with Nicholas Mirzoeff, based on his book, |
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THIS
IS NOT A HOME. Director, Editor, Cinematographer. |
2011 |
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Episodic Format |
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BROOKLYNIFICATION (Two Seasons). Director, Co-Creator (with Christopher Poindexter), Writer, Editor (with Jason Pollard). Commissioned by BRIC TV |
2016- 2018
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FILM FESTIVALS
(selected)
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FIVE STAR. Written,
Directed, Edited by Keith Miller |
2014 |
Venice Film Festival
(Biennale di Venezia 2014) |
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Tribeca Film Festival.
Best Narrative Editing Prize Winner
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Festival do Rio. Rio de
Janeiro, Brazil
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Trinidad and Tobago Film
Festival
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Bend Film Festival. Best
Performance to Primo Grant
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Tallgrass Film Festival.
Award to New Talent to John Diaz
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American Film Festival.
Wroclaw, Poland
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Thessaloniki Film
Festival
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Stockholm Film Festival
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Cairo International Film
Festival
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Seattle International
Film Festival |
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WELCOME TO PINE HILL.
Written, Directed, Edited by Keith Miller |
2012 |
Slamdance. Grand Jury
Prize Winner
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Atlanta Film Festival.
Grand Jury Prize Winner
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Sarasota Film Festival.
Special Jury Prize for Performance
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Nashville Film Festival.
Special Jury Prize: Honorable Mention |
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Independent Film
Festival Boston
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Seattle International
Film Festival. FIPRESCI Jury Prize for New American Film |
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BAM Cinemafest
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Rooftop Films
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New Orleans Film
Festival
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Filmfest MŸnchen
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Warsaw Film Festival
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CURATORIAL PROJECTS |
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*Unless otherwise noted
these shows are at the Gallatin Galleries, NYU or the SAC Gallery, Stony
Brook University.
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Thematic Shows |
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Steve Locke: in the name of love. The Gallatin Galleries |
2019
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Corpora in Tractus. The Gallatin Galleries |
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Stephanie Dinkins Conversations with Bina48. The Gallatin Galleries |
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Sara Hylton: Women of God. The Gallatin Galleries |
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From Outrage to Actio. The Gallatin Galleries |
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Heroes, Triumphs, & Victories: Sheila Pree Bright. The Gallatin Galleries |
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So Many Enemies. The
Gallatin Galleries |
2016 |
New York I Love You, ButÉ The Gallatin Galleries |
2015 |
Lost To History (with
Lauren Walsh). The Gallatin Galleries |
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Sofia Szamosi: Eat me.
Open Source Gallery, Brooklyn, NY |
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Another Green World. The
Gallatin Galleries |
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These Are The Good Times. The Gallatin Galleries
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CPT: Time, History and
Memory. The Gallatin Galleries |
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This Is What Democracy
Looks Like. The Gallatin Galleries |
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Haiti In The Collective
Imagination. The Gallatin Galleries |
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Disposable: Ciudad
Juarez and the War on Women. The Hat Gallery,
Valencia Spain
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2010
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Art For Haiti NYC. Benefit for MSF
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Disposable: Ciudad
Juarez and the War on Women. The Gallatin Galleries |
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Finding Work: Labor in
contemporary art. The Gallatin Galleries |
2009 |
Moving Money: Art,
Capital and the Dematerialization of Value. The Gallatin Galleries |
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Phurba Namgay: Buddhist Painting from Bhutan. The
Gallatin Galleries |
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Moving Money: Art,
Capital and the Dematerialization of Value. SAC Gallery |
2008 |
Picturing America. SAC
Gallery |
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Phurba Namgay: Buddhist Painting from Bhutan. SAC Gallery |
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450 WOMEN HAVE BEEN MURDERED IN CIUDAD JUAREZ. SAC Gallery |
2007 |
Reparations. SAC Gallery |
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If It AinÕt Broke (with
Brookie Maxwell). Gallery 138, New York, NY |
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Watch This: When Art and
TV Collide. SAC Gallery |
2006 |
Nzingah Muhammad. SAC Gallery |
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Revisioning Nature. SAC
Gallery |
2005 |
This Dream, America. Art
League of Long Island; Dix Hills, NY |
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Say it LOUD! Nikki S.
Lee & Iona Rozeal Brown. SAC Gallery |
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Leonda Finke: 40 Years,
SAC Gallery |
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Marriage (with Tara
Burk). SAC Gallery |
2004 |
Cinco: Five Latin
American Women. SAC Gallery |
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Drawing Conclusions.
Islip Museum of Art; Islip, NY |
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Transitional spaces. SAC
Gallery |
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This is for Real: War
and the Contemporary Audience (with L. Alex Couri). SAC Gallery |
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Brett Cook Dizney:
Blackness. SAC Gallery |
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Face to Face: 200 Years of Figurative Art On Long Island. Long Island Museum; Stony Brook, NY
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Hijos de Õ73. SAC
Gallery |
2003 |
Threadbare: Subversive
Aesthetics (with Tara Burk). SAC Gallery |
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[Blank]: In pursuit of
an American History (with Stephanie Dinkins) SAC Gallery |
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Noun/Verb. Hillwood
Museum, Long Island University, Brookville, NY |
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Before and After. SAC Gallery |
2002 |
The Objective Landscape.
Gallery North; Setauket. NY |
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The Other Self. Gallery
North, Setauket, NY |
2001 |
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Student and Faculty Shows |
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Reflections, Relationships, and Reuses
The Gallatin Galleries
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2018
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Gallatin Arts Festival.
The Gallatin Galleries
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2008-
Present |
All You Can Be: Explorations of the Self and Its Mutations. The Gallatin Galleries |
2014 |
Gallatin Faculty Show. The Gallatin Galleries |
2013-14 |
We Survived Our Youth. The Gallatin Galleries |
2011-12 |
Where I Am Now. The Gallatin Galleries |
2011 |
Long Island College Art Competition. SAC Gallery |
2005-2008 |
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SOLO EXHIBITIONS
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Paintings. Open Source Gallery; Brooklyn, NY |
2013 |
Paintings. Trinity Gallery Atlanta, GA |
2006 |
Fights and Dances. Great Neck Arts Center; Great Neck, NY |
2004 |
Trees and Landscapes. Object Image Gallery; Brooklyn, NY |
2003 |
Small Paintings. Spoke the Hub Cultural Center; Brooklyn, NY |
2002 |
New York Mills Regional Cultural Center; NY Mills, Minnesota |
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Confessions. Melville
Gallery; Stony Brook, NY |
2000 |
Paintings. Melville
Gallery; Stony Brook, NY |
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Hurricane Mitch Photo
Project. Union Gallery; Stony Brook, NY |
1999 |
Galleria Frida Kahlo; Mexico, D.F. |
1998 |
Galleria Biblioteca Universidad Iberoamericana; Puebla, Mexico |
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Casa de la Cultura; Cholula, Mexico |
1996 |
Galleria La Obra; Puebla, Mexico |
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Casa de la Cultura; Puebla, Mexico |
1995 |
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GROUP EXHIBITIONS
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Faculty Show. Gallatin
NYU
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2013-14 |
Case study. Terminus
2000, Atlanta, GA |
2012 |
Chace Randall Gallery,
Andes, NY |
2011 |
Marie L. Matthews
Gallery, Princeton, NJ
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Trees. Omni Gallery,
Uniondale, NY |
2009 |
Faculty show. Hillwood
Museum, C.W. Post; Brookville, NY |
2006 |
Melbourne vs. New York.
Kaleide Theater; Melbourne, Australia |
2005 |
Faculty Show. Hillwood
Museum, C.W. Post; Brookville, NY |
2004 |
Anderson Center; Red
Wing, MN |
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Object Image Gallery;
Brooklyn, NY |
2003 |
Faculty Show. Hillwood
Museum, C.W. Post; Brookville, NY |
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Gallery North; Setauket,
NY |
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Faculty Show. Hillwood
Museum, C.W. Post; Brookville, NY |
2002 |
MFA Thesis Show. Staller
Center for the Arts; Stony Brook, NY |
2001 |
The Other Self. Curator,
Gallery North; Setauket, NY |
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CAA Annual MFA Show.
Hunter College; New York, NY |
1999 |
MFA Group Show. Melville
Gallery; Stony Brook, NY |
1998 |
Galleria Kin; Mexico,
D.F. |
1997 |
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ACADEMIC
POSITIONS
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Curator. The Gallatin Galleries, The Gallatin School for Individualized Study; New York, NY |
2008-Present |
Part Time Professor.
Gallatin School for Individualized Study; New York, NY |
2006-Present |
Adjunct Lecturer.
Marymount Manhattan College; New York, NY |
2008-
2013 |
Adjunct Lecturer. New
School University; New York, NY |
2004-2006 |
Adjunct Instructor. Long
Island University, C.W. Post; Brookville, NY |
2001-
2008 |
Interim Director and Curator. SAC Gallery Stony Brook University; Stony Brook, NY |
2002-2009 |
Instructor. Columbia
University Summer High School Program; NYC |
2002 |
Independent Curator.
Museum of Long Island; Stony Brook, NY |
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Instructor. Spoke the
Hub Cultural Center; Brooklyn, NY |
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Adjunct Lecturer. SUNY
College at Purchase; Purchase, NY |
2001 |
Adjunct Instructor.
Suffolk County Community College; Selden, NY |
2000
– 2001 |
Adjunct Instructor.
Stony Brook University; Stony Brook, NY |
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Instructor. Stony Brook
University; Stony Brook, NY |
1999 |
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COMMITTEES
AND SERVICE
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Visual
Arts Advisor, The Gallatin Arts Festival |
2009-Present |
Civic
Engagement Committee, Urban Democracy Lab |
2016- Present |
Interdisciplinary
Arts Program Committee |
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Black
History Month Committee |
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Events Planning Committee |
2013 - Present |
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STUDIO& FILMMAKING COURSES TAUGHT
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The Gallatin School for Individualized Study |
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From Script To Screen: Making The Short Film
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2018-
Present
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Write! Shoot! Edit! Filmmaking Intensive Workshop.
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2015-
Present
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First Person, Present
Tense: Video Production. |
2011-2015 |
Tutorial: Making the
Short Film |
2014-Present |
Tutorial: Curating |
2010 |
Theory to Practice.
Studio Art Workshop. |
2009
– 2011 |
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Other |
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Renaissance Studio. Oil
Painting Workshop. New School University;
New York, NY
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2006 |
Direct Painting in Oil.
Oil Painting Workshop. |
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Figure Drawing. Spoke
the Hub Cultural Center; Brooklyn, NY |
2001-2004 |
Introduction to Drawing. Suffolk County Community College; Selden, NY |
2001 |
Foundation Drawing.
Stony Brook University; Stony Brook, NY |
2000 |
Intro to Sculpture
(T.A.). Stony Brook University; Stony Brook, NY |
1999 |
Foundation Painting.
Stony Brook University; Stony Brook, NY |
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OTHER COURSES TAUGHT
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The Pleasures and Perils of Contemporary Exhibitions
(IDSEM).
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2018-
Present
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Thinking About Seeing
(IDSEM). |
2006-
2015
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Visual Art Seminar: NYC
Art Galleries and Museums |
2010-
2013 |
Contemporary Art /Art
Since 1945. |
2009-
2014 |
Critical Approaches to
Photography (IDSEM). |
2006-2009 |
Renaissance to Modern
Art. |
2005 |
Realism and Contemporary
Art. |
2004 |
Modern Art (1850-1970). |
2002-
2009 |
Introduction to the
Arts. |
2002-
2009 |
History of Visual
Communication. |
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Critical Reading and
Study Skills. |
2002 |
Media, Society and the
Arts. |
2001 |
Visual/Social Analysis:
Video Documentary. |
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Introduction to the
Western Humanities/Art Section. |
2000 |
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PUBLICATIONS
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Who am I to tell this story: On race and the making of Welcome to Pine Hill in The Huffington Post |
2012 |
Moving Money: Art,
Capital and the Dematerialization of Value. Catalog Essay
|
2009 |
No More Is Known: Anonymity and the Murders of Women in Ciudad Juarez |
2007 |
Artslant.com; Reviews and Interviews |
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Me, Myself and Mao: Myth
and the Paintings of Yin Zhaoyang; Catalog Essay |
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Dust and Silence: Ji
Hyun Seo: Catalog Essay |
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This Dream, America,
Catalogue essay |
2005 |
Marriage, Catalog essay
(with Tara Burk) |
2004 |
This is for Real: War
and the Contemporary Audience, Catalog essay |
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Noun/Verb, Catalog essay |
2003 |
Face to Face: 200 Years of Figurative Art on Long Island, Catalog essay |
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Art Papers: Narrative
Dress: Shirin Neshat and Legally Blonde |
2002 |
The Objective Landscape
(web catalog) |
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Art Papers Review of
several art exhibits |
2001 |
Art Criticism:
Journalistic criticism: Popular entertainment or Populist critique? |
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Replica21: Postal desde
Nueva York (In Spanish) |
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The Other Self (web
catalog) |
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Art Papers Review of
several art exhibits |
1999 |
Artvance: Mart’n Ramirez
(In Spanish); Review of several art exhibits |
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The Statesman Review of
several exhibition and cultural events |
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Art/Text: Ridiculum Vitae |
1998 |
Art Papers Review of
several art exhibits |
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El S’ntesis Weekly column on culture and the Arts. Puebla, Mexico. (In Spanish) |
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La Jornada de Oriente Weekly column on culture and the Arts. Puebla, Mexico. (In Spanish) |
1997 |
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SELECTED CONFERENCES and TALKS
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In conversation with Sheila Pree Bright, International Center of Photography |
2017 |
Making Media Matter:
Strategies and Tactics for a New Era. Organizer |
2016 |
#Occupytheory. with Nick Mirzoeff, Stephen Duncombe and Saadia Toor |
2011 |
Symposium of Curatorial
interventions. Organized by Lisette Olivares |
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Canary in a coalmine:
The war on Women in Ciudad Juarez and the new Drug War |
2010 |
The Murders of Women in
Ciudad Juarez, With Coco Fusco. SAC Gallery |
2007 |
Keith Miller, Paintings.
Heckscher Museum of Art; Hicksville, NY |
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Reparations. SAC Gallery |
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Marriage. SAC Gallery |
2004 |
Is this for Real?:
TodayÕs War, with Nicholas Mirzoeff. SAC Gallery |
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On being and acting:
Noun/Verb. Hillwood Art Museum |
2003 |
The Objective Landscape:
A History. Gallery North |
2002 |
Realism: Gustave Courbet
to Jerry Springer. |
2000 |
Northeast Popular
Culture Association Conference |
|
The Hurricane Mitch
Photo Project; SAC Gallery |
1999 |
Kitsch and the Body:
Plastic Surgery and Body Manipulation. |
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Graduate Student
Conference. Stony Brook University |
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A brief history of the Still Life (In Spanish). Iberoamericana Universidad, Puebla, Mexico |
1996 |
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PRESS (selected)
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For FIVE STAR
|
2014-2015 |
The New York Times. ÔFive StarÕ Casts a
Cool Eye on Gang Culture |
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NYT CriticsÕ Pick. ÒSlow
and steady, and with remarkable assuredness, Keith MillerÕs ÒFive StarÓ plays
mean-streets drama in the lowest of keys.Ó -Janette Catsoulis |
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Variety. Review ÒÉpowerfully affecting
urban drama that tells a familiar story [...] with such unusual authenticity
and dramatic force that itÕs as if weÕre seeing it for the first timeÉÓ
-Scott Foundas |
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Indiewire. YouÕve Never Seen a Gang Movie Like the Startlingly Realistic ÔFive
StarÕ |
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Criticwire Grade: A-.
ÒLike John Cassavetes directing an episode of ÔThe WireÕÉÓ -Eric Kohn |
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Village Voice. Review ÒÉa dizzying
tour-de-forceÉÓ |
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Shadow and Act. ÔFive StarÕ Is A Refreshing Take On A
Setting & Characters Too Often Sensationalized. ÒÉa compelling portrait,
and a refreshing take on a setting and characters too often sensationalized.Ó
–Zeba Blay |
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Criterion Cast. Review. ÒFive Star is
quite a superb sophomore effort from a truly talented young voice in
independent American cinemaÉ.Aesthetically, the film is in many ways a
triumphÉÓ |
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Smells Like Screen Spirit. Review. ÒÉa remarkably
insightful filmÉ a mesmerizing experience.Ó |
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Stagebuddy. Review.
ÒMillerÕs scenes are so well-written and acted [É] refreshing.Ó |
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Punch Drunk Critics. Review. ÒÉan understated
and deeply satisfying urban drama that raises the bar for the entire genreÉ.Ó
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INTERVIEWS |
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The Leonard Lopate Show, WNYC |
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Sway In the Morning |
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WPIX Channel 11 New York |
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BK Live, BRIC TV |
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The Source. ÒFilms like ÒFive StarÓ are rare.
[É] It does what only art can, and that is it makes us feel, and it makes us
understand. [É] This is a film not to be missed.Ó |
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Filmmaker Magazine: Five questions with
Five Star Director Keith Miller |
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Indiewood/HollywoodnÕt
ÒÉa nuanced portrait of two men [É] an intimate contemplation of manhood in
the modern urban environment.Ó |
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Rooftop Films. ÒÉraises important
questions of race and class through the deeply personal stories of his
characters.Ó |
|
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For WELCOME TO PINE HILL |
2012-2013 |
The New York Times. Finding a Space, and
Yourself ÒThoughtful and adventurousÉ arrives at a powerful and resonant
meaning.Ó - A.O. Scott |
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The Hollywood Reporter Ò..uniquely intimateÉ a
breath of fresh airÉÓ |
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The Leonard Lopate Show, WNYC |
|
CriterionCast. ÒItÕs a beautifully
crafted, and touchingly melancholy drama that is one that should not be
missed.Ó |
|
New York Daily News. Review ÒSomething
special.Ó |
|
TimeOutNY. Review |
|
The Brooklyn Rail . From Brooklyn to Park
City: Keith MillerÕs Welcome to Pine Hill |
|
KPCCÕs Film Week with Henry Sheehan.ÒYou
donÕt get masterpieces, especially from a first time director, but this
movieÉif I were to do my ten best of the year, this would be my number one.Ó |
|
Hammer to Nail ÒÉ small moments become
weighted with a rarely felt power and intensityÉÓ |
|
TimeOutNY Ò..moody and mesmerizingÉ deeply
humanÉÓ |
|
Badass Digest ÒAtmospheric and
EnlighteningÓ |
|
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INTERVIEWS |
|
PBS thirteen.org |
|
Turnstyle News |
|
Moveable Feast |
|
Filmmaker Magazine |
|
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PREVIOUS PROFESSIONAL EMPLOYMENT
|
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Instructor. Spoke the
Hub Cultural Center; Brooklyn, NY |
|
Sculpture Technician.
Stony Brook University; Stony Brook, NY |
|
Contributor. Replica21
(In Spanish); Mexico City, D.F. |
|
Contributor. Artvance
(In Spanish); Mexico City, D.F. |
1998 |
Contributor. Art Papers;
Atlanta, GA |
1997-2002 |
Weekly columnist. La
Jornada de Oriente (In Spanish); Puebla, Mexico |
1996-1998 |
Weekly columnist.
S’ntesis (In Spanish); Puebla, Mexico |
1996-1998 |